In a sense, no: flapper dresses have long been considered a symbol of class. The clothes of the aristocrats were usually white and adorned with gold trim and appliqués, which they wore only at formal occasions.
The first flapper dress was created in 1860, and was described by James Woodroffe as a “modest, yet sophisticated, dress.”
The flapper dress wasn’t a “new” piece of clothing, or even an original invention. By the 1880s, it was known as a “modesty dress,” an idea borrowed from European social circles. In the late 1800s and early 1900s, a number of American models — including Dora Maar, Helen Hayes, and Edna St. Vincent Millay — modeled their own styles of flapper dress. The clothes were meant as an alternative, alternative to the traditional dresses of dressy women, who were often worn at the same time as the man’s suit and his suit jacket, as the latter would be an additional layer of protection.
A flapper dress also helped to signal wealth. When a girl with low social ranking wore a flapper dress, it signaled to the crowd that she was of lower social status. The flapper dress thus stood in stark contrast to the elegant formal dresses of the aristocrats — a sign that the wearer wasn’t considered the wealthiest girl in the crowd.
The original flapper dresses were made out of silk, often sewn with a silk grosgrain ribbon. By the 1940s, the silk, cotton, and cashmere made from these products took on a more elegant appearance and became known collectively as the “silks of the world.” Today, a designer’s flapper dress can include a silk button or a silk belt. By the 1970s, the flapper dress’s signature look was characterized by a chiffon fabric; today, the fabric comes in a variety of colors.
The 1960s brought on the most significant change in the dress’s appearance, however. The 1960s was the Golden Age of fashion for women. Fashion magazines and designers of the era took the flapper dresses with them to their own runway shows and launched new styles without the traditional grosgrain ribbon. The clothes, which had been seen more often on the men’s side of households, found a new prominence, and even became part of traditional formalwear.
Why can’t we wear white?
White is one of the most expensive fabrics
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