A: Yes, I am also quite knowledgeable about what happens in public places, and even how to make friends. I have also been very busy, and I am not sure if I have had time to learn ventriloquism at all. I am hoping someday that a tutor will be able to help me in some way, even though that would be really impossible to do.
Q: What are the other reasons to learn ventriloquism?
A: People tend to be fascinated by the gestures of famous people. If you have a friend that is a famous dancer or someone that looks like an actress or a famous photographer, you’ll often get a lecture from them about the gestures you use and what you can learn from them. If you don’t know what to learn, you can start learning, but sometimes you may need one or two lessons.
A: I was asked to help with a performance of “La belle autour du temps perdu”, the opera from which the movie was based on. I had no idea what would be necessary. For the performance, it was absolutely necessary that I be completely comfortable with the movement and posture, but if I had already studied classical violin, then there was no need to learn this new repertoire. On the other hand, if you have taken several lessons, and you don’t know enough of the movements, then some people would teach you on your own. However, I am afraid you will never be very good at ventriloquism.
Q: Are there any good books on ventriloquism on the market?
A: There are a few. I’m afraid the only one that will help you to learn it is the book of Höss which he gave in the early 1920’s. But if you are someone who has practiced it for a long time and you are not at all worried by the amount of exercises, I recommend learning it through improvisation. This method has also led to a lot of new techniques and insights which are essential for learning something new.
Q: Are there any teachers or tutors who work with ventriloquism?
A: Most important thing if you want to learn ventriloquism is to go to a teacher who offers it regularly. There are many things that can be learned from watching a teacher move and reacting visually with the fingers to a spoken phrase or with a group of people, especially those who are more experienced than yourself. In
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