A puppet? A prop of some kind? How does that happen?
I don’t know. But it’s a new kind of puppet, to look at it. That one, the way they hold its strings—they don’t have those tiny little plastic fingers, I don’t know how that works—it kind of looks like a puppet.
AVC: Why is Bob trying to convince Judy that they shouldn’t work with the ventriloquist puppet?
KF: Well, it’s a lot. I think one of our producers—we’re working on it, we’re trying to finish it, we just finished the show now, and we really wanted to do a show that has Bob and Judy trying to make their work. And then it becomes really funny to watch them get themselves into a lot of trouble, in some cases just because they can’t see that they need to do that work, that they have to put their whole heart into this show that they like and that they care about.
So it’s like, “Bob, how hard is it to convince Judy that you both have to work with him?” And he just says, “Look at what you’ve done for this country. It’s not that hard to convince her.” [Laughs.] So that’s where that comes from.
I don’t think anything can convince her that they haven’t got something to worry about.
AVC: You say that the show is based on their lives. How has the movie affected Judy’s relationship with Bob? Is she still as protective from the movie?
KF: Oh, yeah. Yes, she’s still always trying to get their business together.
AVC: It seems like their relationship was at the heart of almost all that was good and true and real in the movie, right? And if you’re a showrunner, does that mean you can’t change the real-life relationships of your characters?
KF: You know, I’m working on it. [Laughs.] It’s true.
AVC: When you’ve got someone like Andy Kaufman on a show, it makes sense to ask what can they do with that. And what did he do for the movie, in particular?
KF: Well, he’s one of the most talented people who’s ever played that role. A lot of people try to be him, and a lot of people
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