It seems impossible you’ve found your way to this webpage. Don’t take my word for it; try it for yourself. Check your strings regularly. Try a new bow in every position and see how it is feeling to you. Make a note of the stiffness and the “pitchiness” (strength) of the string, along with a string gauge. For instance, it’s a great idea to make a note of your bow’s total resistance, then use that figure to adjust your bow bow.
You won’t “feel” like you’ve “taken your violin bow to the max,” but you will likely notice a “new way of playing” come to you. That’s a really good thing. You’ll find out how your instrument feels in action, like a new and better instrument. If you can take that to the next level, good luck and take the next step.
The next thing you should know: if you make a mistake, it’s very easy to “overplay” and get a big bruise. That’s what everyone wants to hear, right?
A violin bow should be treated the same. It should be treated fairly often, even if you don’t use it. You’ll get to know that this is a “quality practice” bow, and you’ll be much more likely to achieve the “new way of playing” that you’ve sought. If you think that’s too much, then you’re right. In that case, your bow can be cleaned and re-tweezed. That’s what other instrument makers and craftsmen do. They’ll tell you that, if you have to go through the trouble of cleaning and re-tweezing the bow, you won’t get to learn new skills.
After that, do you go ahead and make a note of the current stiffness of the string and gauge? Do you also make a note of any other “pitch or stiffness” characteristics, such as the length and the “stiffness” of the string as a whole? Do you also take a note of a finger’s “stiffness”?
Then, if the day comes that you have “pitch” problems, it’s easy to treat that with a bow that is already very stiff. It’s easy to adjust that bow bow to make sure that it won’t have any problems to any other areas of it. There are many bow models, with hundreds of models. Each model comes with a different amount of stiffness
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